Skip to main content
Hands holding up the signed Skunk Anansie Autographed Photographic Print
A close up of Skin's signature on Skunk Anansie Autographed Photographic Print
A close up of the Skunk Anansie Autographed Photographic Print
A image depicting Skunk Anansie Autographed Photographic Print  being printed
A shot of Skunk Anansie Autographed Photographic Print drying on the racks

Skunk Anansie Autographed Photographic Print

$91.00

There aren't many performers for whom launching themselves into an audience feels quite as natural as it does for Skin. India Fleming catches exactly that moment in this photograph from Skunk Anansie's sold-out show at den Atelier, Luxembourg, on 21 March 2025, now reproduced as a limited-edition print hand signed by Skin.

The image is gloriously chaotic. Skin is suspended above the crowd with microphone in hand, one arm reaching towards the barrier as the audience surges beneath her. Fleming shoots through the edge of the security rail, placing the viewer almost inside the action rather than safely looking on from a distance. Grain, movement and blown-out stage light add to the feeling that this happened in a fraction of a second.

That physical relationship with an audience has been part of Skunk Anansie's live identity throughout their career. Formed in London in 1994, the band broke through with the ferocity of Paranoid & Sunburnt and Stoosh, pairing heavy alternative rock with songs that confronted politics, race, sexuality and relationships head-on. Tracks including Weak, Hedonism (Just Because You Feel Good) and Charlie Big Potato became enduring parts of a catalogue that has always made particular sense on stage.

The Luxembourg concert arrived as Skunk Anansie entered another chapter. The band were preparing to release The Painful Truth, their first new studio album in almost a decade, and the den Atelier show combined new material with songs reaching back across more than 30 years. Skin later remembered the energy of the Luxembourg audience as “phenomenal”, recalling that she had once again ended up stage-diving into the crowd.

Behind the camera was India Fleming, a UK-based music and portrait photographer with more than a decade of experience. Here, she doesn't try to freeze the performance into something pristine. Skin's movement, the blur of the crowd and the stark black-and-white treatment preserve the disorder of the moment, making the photograph feel much closer to being there than a conventional stage shot.

It's exactly the kind of exchange Good Energy was created to celebrate. The series looks at what happens between performers and audiences during live music, and in this case there's almost no separation between the two at all: Skin has quite literally left the stage behind.

Produced by White Duck Editions in Bath as a five-layer silkscreen print on heavyweight 350gsm stock, each A2 print is individually hand signed by Skin and comes with a certificate of authenticity. Only 100 copies have been produced.

Product details

  • Limited edition of 100
  • Individually hand signed by Skin
  • Skunk Anansie at den Atelier, Luxembourg, 21 March 2025
  • Photography by India Fleming
  • Part of the Teenage Cancer Trust Good Energy series
  • Five-layer silkscreen print
  • Printed on 350gsm stock
  • A2, measuring 420 × 594mm
  • Includes certificate of authenticity
  • Published by Teenage Cancer Trust
  • Print production by White Duck Editions in Bath, UK
  • Unframed

Every purchase supports Teenage Cancer Trust, helping provide specialist care and support to young people with cancer.

Please note:

As each print is individually hand signed, the position of Skin's signature may vary slightly from the product image.

International customers are responsible for any import fees or duties payable on delivery.