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A framed mock-up of Gavin Harrison Autographed Print
A drummer is seated at a well-equipped drum kit featuring various cymbals, amidst a backdrop of decorative screen panels. The drum set is primarily black and yellow, with a prominent logo on the bass drum.
A flat lay of the Gavin Harrison Autographed Print
A person is sitting on a grey sofa, signing a large poster with the text "LET RIGHT LEFT" prominently displayed. The background features a light interior with bookshelves and decorative items. The individual is wearing a black t-shirt and appears focused on their task.
Anthony holding up Gavin Harrison Autographed Print
A man with a beard is pouring black ink from a can into a screen printing setup in a brightly lit workshop, focusing intently on the task. He is wearing a dark sweater and a wristwatch.
"A man is working at a printing press in a well-lit room, focused on operating a machine with various tools and materials surrounding him."

Gavin Harrison Autographed Print

$43.32

There’s something particularly fitting about Gavin Harrison choosing the Single Flammed Mill for his contribution to ONE TWO THREE FOUR. Harrison has spent much of his career exploring what can be done with rhythm, developing a playing style where considerable technical complexity rarely comes at the expense of feel.

Best known for his work with Porcupine Tree, King Crimson and The Pineapple Thief, Harrison has become one of the most respected drummers in progressive music. His approach often plays with subdivisions, displacement and rhythmic perspective, ideas he has also explored as an educator and in his books Rhythmic Illusions and Rhythmic Perspectives.

The Single Flammed Mill takes the sticking of an inverted paradiddle and introduces a flam at the beginning of each group. It's exactly the kind of deceptively compact idea that suits this collaboration: a short sequence of left and right strokes that can become something far more interesting once it moves around a drum kit.

Anthony Burrill takes that sequence and lets it dictate the composition. LEFT and RIGHT tumble diagonally down the page, their changing positions following the movement between hands. Burrill's heavy black lettering gives each stroke visual weight, while the generous white space makes the irregular rhythm of the arrangement immediately apparent. Look closely and it's a sticking pattern; from further away, it's simply a beautifully balanced piece of typography.

Printed by Harvey Lloyd in East Sussex on 240gsm Shiro Echo stock, the finished piece measures 50 × 70cm. Only 100 copies were produced, each hand signed by both Gavin Harrison and Anthony Burrill.

Product details

  • Limited edition of 100
  • Hand signed by Gavin Harrison and Anthony Burrill
  • Based on Gavin Harrison's chosen Single Flammed Mill rudiment
  • Artwork by Anthony Burrill
  • Curated by Mike Dolbear
  • Part of the ONE TWO THREE FOUR project
  • Screen printed on 240gsm Shiro Echo stock
  • Measures 50 × 70cm
  • Printed by Harvey Lloyd in East Sussex, UK
  • Unframed

Every purchase supports Teenage Cancer Trust, helping provide specialist care and support to young people with cancer.

Please note:

As each print is individually hand signed, the position and size of the signatures may vary slightly from the product image.

International customers are responsible for any import fees or duties payable on delivery.